Forthwith, five .mp3s from our Sept. 9th session, “Poems of Escape.” Each one of these is less than a minute long, and all of them are available for filmmakers interested in next year’s ANTHOLOGY III.
The full text of the poems and individual links to the files follow: Continue reading →
If you don’t, Charlotte Mew does! 22 of the 26 shorts from this summer’s ANTHOLOGY II are now up on YouTube and on the Parallel Octave website. (YouTube is best for skipping around–the ParOct page link lets you watch them in the order they appeared in the supermegafilm.)
Here’s one to get you started: filmmaker Adhiraj Goel’s stop-motion “Fin de Fete,” based on the poem by Charlotte Mew. This is one of the shorts created through the JHU Auteur 101 class.
And the poem:
Fin de Fête
Sweetheart, for such a day
One mustn’t grudge the score;
Here, then, it’s all to pay,
It’s Good-night at the door.
Good-night and good dreams to you,—
Do you remember the picture-book thieves
Who left two children sleeping in a wood the long night through,
And how the birds came down and covered them with leaves?
So you and I should have slept,—But now,
Oh, what a lonely head!
With just the shadow of a waving bough
In the moonlight over your bed.
“Did Their Catullus Walk That Way?” The Desire To Escape (From Academia, New York, Embodiedness, Humanity, And Other Prisons)
Poet Lola Ridge.
The Parallel Octave Chorus has resolved
to convene to record the poems of Lola Ridge, Dunbar, Whitman, and Yeats
in the JHU Arellano Theater (campus map here)
on Sunday, September 9th,
2-3:30 PM.
Fall: it is upon us! (This image may or may not be of this fall, in Baltimore, but you get the picture.)
The Very Parallel Octave: Baltimore Chapter will meet, on the JHU Homewood campus, to record poems, on the following dates:
– THIS Sunday, September 9 (in the Arellano Theater)
Sunday, September 23 (all subsequent dates in Mattin 105)
Sunday, October 7
Sunday, November 4
Sunday, November 18
The meetings will start at 2 PM.
As usual, all are welcome–friends, foes, musicians, actors, people with and without instruments. There will be a piano in the room.
Here are a few quick pictures from the screening of ANTHOLOGY II at the Creative Alliance–more pictures and other stuff will be ready Monday a month later (sorry-Ed.), along with sound, video, and all of the films from ANTH II going live on YouTube. We’ll also put up the entire anthology as one film, so that anyone who wants to replicate the screening experience from home can!
Here’s the class of “Auteur 101: Short Film Laboratory” outside the Creative Alliance last night, for the culminating screening.
And here’s the audience:
Here are a couple of pictures of the post-screening collaboration session, where we recorded the entire text of Gertrude Stein’s “Stanzas in Meditation.” We got some excellent sound from that session, by the way, which we will also post Monday.
We’re already looking forward to next year’s ANTHOLOGY III!
In last year’s ANTH I, Marie Ilene interpreted Emily Dickinson’s poem “The heart asks pleasure first…” through the use of stop-motion claymation. This year, for ANTHOLOGY II, she’s taking on Edna St. Vincent Millay’s “Travel” in another stop-motion piece, using paper and colored pencil. Scroll down to see her Dickinson piece from last year and to read her interview–and join us at 8 PM at the Creative Alliance on Thursday, August 2nd (free admission!).
Marie’s film from last year, “The Heart Asks…”:
||8: Who are you?
MI: I am a filmmaker in Los Angeles, CA.
||8: Where are you from originally (where were you born) and where do you live now?
MI: : I was born in Los Angeles but moved to North Carolina as a kid. I always knew I wanted to come back, so after graduating from film school in 2006, I moved back.
||8: How did you get started making films? What was your first piece?
MI: I started as an actor and quickly realized I wanted to direct all the other actors, so I started thinking I might want to be behind the camera. I am a musician and have always had a strong connection to music, so I got into filmmaking because I wanted to make music videos. My first real outside-of-school project I got paid for was a music video for Victory Records and an artist named Giles. We shot it at the only dance club in Winston-Salem, NC, and it wound up being the #1 video on the Victory records website for over a month.
||8: What are some of your influences? Alternatively–who are a few other people working right now, not limited to film, whose work you’re interested in?
MI: I get influenced in all sorts of way. I love to go to local small galleries that sell art for like $100–the work can be really unique and amazing. A big part of my work is influenced by the fact that I have to work with a limited budget. I see cool effects and techniques that I like, and then I try and find a way to achieve the same effects on a limited budget.
Parallel Octave is a Baltimore-based improvising chorus, founded in 2010. We record poems with live music, and also make videos. All our sessions are open to everyone.